Allen's Blog

Posts tagged ‘Fuji’:

The Nine Days of POTUS

It’s become part of the summer routine for President Obama and his family to spend a week or so here on Martha’s Vineyard, much of it with old friends and with a lot of hours on the Vineyard’s several golf courses. In the past, my work for the Vineyard Gazette has put me in the middle of things, but this year I had no intention of getting caught up in any of it.

Obama_Vineyard_vacation_front_page

So, Thursday morning two weeks ago (Day 6 of the visit), when I heard the sound of Eight Harleys Roaring (past our house) and turning down the road towards the neighboring golf course, I knew that would be followed by Twenty Agents Guarding and One POTUS Golfing. While the State Police motorcycle escort took a break, I stayed inside, determined to let things be. But then, Julia Wells, the Gazette’s editor texted and asked by to see what I could produce in the way of pictures when the President arrived at the 8th green. Mr. Obama likes his privacy (who can blame him) — just ask Gazette staffer Ivy Ashe, who dutifully spent a day in the press pool from 8:30 AM until after midnight and never got a glimpse of Mr. Obama. FYI, the Gazette, founded in 1846, is one of the great local papers in the U.S. and well worth reading. Their presses roll each Thursday night in Edgartown, Mass.

I respect the Secret Service’s routines, and it all makes very good sense. The President came over to a group of us, and I got the front page of that week’s edition. The light was a nightmare — deep shadows where we were (his cap and sunglasses didn’t help) and strong sunlight on the green behind him. For those interested, it was shot with my Nikon D800 and the very, very good 24-70/f2.8. Steve Durkee, the paper’s design wizard, opened up the shadows, making for a fine picture, both in print and online. For other images — a quick change to the 70-200mm.

President Obama leaving the putting green

While on the subject of gear, I’ve been helping the friend of a friend dispose of some vintage Leica rangefinder equipment, and at the same time I’m seriously looking into buying one of Fuji’s X-series cameras. Beyond all the rave reviews these cameras are getting, with comparisons to the Leica M-series (both film and digital) making for some very good reading, it’s interesting to put an M3 next to the Fuji X-E1. There’s never been a camera that felt as natural in my hands as the M3 (or the M4 for that matter). That’s a large part of why this group of Fuji cameras is so appealing. It’s not that they consciously set out to copy Leica’s design (or maybe they did), but rather that they have made the “feel,” the ergonomics of the camera, such an important consideration, just as the engineers at Leica did more than 50 years ago. If I were starting a long assignment right now, and had to lock in to one camera to document all aspects of the trip, it almost certainly would be one of these.

Fuji X-E1 and Leica M3 (top view)

The next thing I’m looking for is WiFi capability. No hurry at the moment. I’m hoping the PhotoPlus show in NYC next month will help clear the air (and my mind). I see that Fuji have reserved a healthy-sized booth… what do you suppose they’ll be showing off?

Connect the Dots (And, While You’re At It, Stop the Insanity)

Events across the photography spectrum in the past few weeks are sort of like the connect the dots puzzles I used to figure out in the pre-television era of home entertainment — all of a sudden the answer is revealed, even though the skill level to solve is merely that of an eight-year-old…

Pentax Q7 display showing 120 color combinations

So: in early June the Chicago Sun-Times fires all its photographers, and equips its reporters with iPhones. More of that to come at other newspapers, for sure.

And Pentax, in its corporate wisdom, feels that in a world of rapidly declining sales of basic amateur cameras, the best way to counter that trend is to release its three latest models in 120 different colors (good luck there).

And Nikon’s president goes public with sales projections for his company’s products, hoping that revenues for the big toys and optics will counteract the precipitous fall in point-and-shoot models (good luck there).

And Nokia shows a 41MP camera/phone that seems to take great pictures.

'B' with his father's Canon 5D mark II + 24-70 f/2.8L

And urban parents with incredibly cute kids and great photographic skills realize that the diaper bag, toys and stroller simply cannot peacefully co-exist with a bulky camera bag filled with hefty Canon L-series glass. (No matter how badly they want it to seem to their Facebook friends that everywhere Junior went, he projected an aura of luscious, buttery bokeh.)

While I love and appreciate my Nikon D800 for some of the things it can do (many more of its capabilities being lost in the 446-page manual), I carry my Sony RX100 pretty much everywhere. A bunch of very well-written posts recently reveal the latent (or not-so) hostility to DSLRs and the DSLR mindset. There are yearnings for the period when serious photographers, particularly photojournalists, made their reputations with an equipment kit that weighed just a few pounds and filled the wonderful Brady fisherman’s bag (I think the Ariel Trout was the standard), canvas and leather, still made in the U.K., with room left over for film/notebooks/reading material.

One of the best posts of this ilk has come from Chris Cookley, not a full-time pro but nonetheless a serious shooter who has a fine handle on the mess we’re in. Good reading! I’m also finding myself (finally) getting past the “full-frame is best” mentality, in part because of the sheer quality of my RX100 (phenomenal in low-light situations).

Fujifilm X-E1

To make things much more interesting, here is Fuji coming to the fore with its X100s (and other fine cameras, too). David Hobby’s long appreciation of this fixed-lens camera makes excellent reading for those of us who understand the real need for a digital equivalent of a Leica M-series camera (without paying the idiotic, collectors-only, keep-it-in-the-box-and-watch-it-appreciate price). It doesn’t hurt that Fuji is clearly putting many resources to address the “growing pains” of their X-Series gear via frequent firmware updates and a furious pace of lens development. At any rate, if you haven’t watched Hobby’s video walkthrough and read Zack Arias’ swooning pair of articles on the X100s, please make time to do so. Perhaps your shoulders will thank you.

Finally, back to what the Sun-Times did, and its long-term effects ….. If you need proof of why photojournalists matter so much, look no further than the New York Times story on Jeff Bauman, grievously wounded in the Boston Marathon bombing, and his path to recovery. Josh Haner’s photographs, coupled with Tim Rohan’s writing, work together and resulted in a memorable piece of journalism. Real journalism demands real photojournalists; as my first assignment editor at the AP said (in 1968), “We don’t take pictures, we make them.”