Over the past weekend, I had a long catching-up phone conversation with my friend of several decades, former assistant, and great photographer Jock Pottle, who now lives in North Carolina. A few years ago, I wrote in this space about Jock and his Digging Man series of illustrations…
I still think the conception and execution of Digging Man are truly unique and the finished works are absolutely phenomenal. I also wish I had a connection to the art director of The New Yorker because that is one publication (among many) where the fit would be perfect. Hope you visit his site and agree.
Anyway, after our phone chat, Jock emailed this photo. For the life of me, I couldn’t figure out how it was done, although that may just speak to my lack of imagination at the time. Can you figure it out? (If you prefer to believe it’s simply one of the great photobombs of all time, I won’t try to stop you.)
On to another matter… Earlier this year, during our annual trip to the NAB show in Las Vegas, I spent time at the Zeiss optics booth. As always, their lenses for virtually every format in motion picture, television, and still photography continue to be at the pinnacle of optical design and manufacture (just look at this “sliced Zeiss” they had on display). Over the past 50 years, I’ve used Zeiss lenses on almost every camera I’ve owned and many of those I still work with.
But here’s the reason for this bit of unrestrained fan mail: I discovered that Zeiss has designed a series of three accessory lenses for the iPhone. Not one of those cheap 3-in-1 clip-on lens sets you’re probably aware of; think of these as prime optics (they certainly don’t come cheap.) The brand name on the lenses is Exo and you’d do well to check them out at exolens.com. I carry the iPhone 7, and the inherent macro capabilities of the phone’s camera are really impressive. However, mounting the Exo Macro-Zoom lens (with its integral diffuser) takes iPhone macro shooting to a whole new level.
There is a range of options for mounting the lenses to iPhone models going back a few generations. I use the case with a threaded screw mount into which each of these lenses mounts. The wide-angle and portrait (2x) lenses are just as impressive… here are some before-and-after demos of each:
This is as good a time as any to invoke the old adage that any professional photographer has used to answer a question asked hundreds of times — “What’s the best camera?”
And the answer, true now as it has always been — “the one you have with you.” And since I always have my iPhone at hand, it’s what I rely on every single day.